So, my tally for Bout of Books 20 isn’t as high as I’d hoped it would be. I made it through 3 1/2 of the Magic and Mayhem books by Robyn Peterman. I had wanted to make it through all 5, but life happens. I don’t feel too terribly bad because I came into it so late, but when they have Bout of Books 21 in January, I will be totally prepared to put in all 7 days from beginning to end.
But I ‘met’ (on Twitter) some really cool people and found a lot of great books and blogs to follow.
The next read-at-thon I’m planing to participate in is the one I told y’all about on October 21st. It’s a 24 hour one and I think I have the series picked out that I’m going to dive into… Then again, between now and then, I may find several other series and I’ll end up putting all the titles in a hat and drawing one out.
I’ve finished writing Abe’s Will and have a few scenes to flesh out.
I’ll be starting on Witchin’ Spice, my title that will be in Robyn Peterman’s Magic and Mayhem Kindle World. It will be out in October.
There are many other books I’m making notes on and planning and several re-releases happening, too. I’ll keep y’all updated on those as they happen.
I’m also wanting to put together a read-a-thon of my own and a write-a-thon. I’m looking forward to finding people to help me with ideas. If you have any, let me know!
But for now, that’s all I have!
Because there seems to be some confusion.
In the beginning of Bear Haven, I said this: The ride in general isn’t over, but the ride in the Southern Shifters Kindle World, for me, is. At least for these characters. At least for the foreseeable future.
So, lets clarify some things. YES, Gus and Bex are over, but ONLY in the Southern Shifters Kindle World. I had to do what I did. I had to end Bear Haven as I ended it BECAUSE in order to tell the bigger story… to weave other characters in from other series, to connect some other dots into it all, I had to move Gus and Bex, Michael and Maxine, and other supporting characters OUT of the Southern Shifters Kindle World. (Remember… the Southern Shifters Kindle World does not belong to me and as such, there are limitations to what I can and cannot do.)
The Black and White series is, for the time being, done. I said that too (look above). I may go back and write another one. But only after I finish all the other tie ins.
Gus and Bex will be starting over. Elsewhere.
Michael and Maxine will be getting their own book.
Marcel and Mari will be getting their own book.
And ALL of these will be linked, loosely, but linked nonetheless with my Denali Heat bears which I just got the rights back to.
Keep in mind, as well, as I said in the back of Bear Haven, that none of these stories will be coming until either late 2017 or early 2018. I am sorry you have to wait, but other things happened (Samhain Publishing closing), that forced plans to be altered.
But, to reiterate… There are reasons I did what I did. I have mentioned it before Bear Haven came out AND after Bear Haven came out.
Please if you still have questions, ask me. I’m happy to answer them.
I… am a writer.
This is something I’ve been struggling with lately. And damn y’all, I wish I didn’t struggle so much with so many things, especially when it comes to this writing business.
At the same time, with each struggle, whether internal or external, mental or emotional, I learn something new about myself. This is a really good thing. And… by the time I’m 100, I should have my path pretty much figured out.
In all seriousness, though, I have been struggling with relevance in regards to book length. Can I still call it a book if it’s a novella? Do I call it a story? Is it worth publishing? Charging for? Is it worth even bothering at all?
I have written short short stories before… 3000-5000 words.
I have written longer short stories, too… 10000-15000 words.
I have written many novellas… 18000-40000 words.
I have also written 45000, 50000, almost 60000 words.
That novella line though… more than 25 of those in the years I’ve been publishing.
There are some authors who make a really good living writing novellas. They publishing 10 or so a year. They charge $0.99 for them most of the time. And they’re usually part of a series, released in quick or at least methodical succession. This is something to learn from. Something to watch closely for someone like me who writes novellas.
My writing productivity has fallen off the last few years as all of you know. Self publishing has made me incredibly uncomfortable and doubtful in my ability to write. While it’s giving many authors a sense of power, it’s given me a great deal of anxiety and stress and way too many ‘what the fuck am I even doing anymore?’ moments. This has to change. There is no choice, no other option but for it to change.
And as the two big small press publishers have closed their doors in the last 60 days and the books that had been published with them revert back to me… It’s the majority of my catalog. 15 titles between Ellora’s Cave and Samhain Publishing. I have several titles that have reverted to me from Loose Id as well. All of them… there’s 18 in total… They’re novellas.
It’s my preferred length. That’s obvious.
I can write longer. I can write shorter.
But there’s a lot that can be done with novellas. It’s something I’d forgotten. It’s something I’d pushed to the back of my mind in the face of conversations that talk only of the success and desire for novels of 70000-120000 words. I don’t write that. I don’t even read that most of the time anymore.
Then, I began looking again at those who do write novellas and who do find success with them. And I remembered a conversation I had with someone in Amazon’s Kindle Worlds division about the success that writers are having writing novellas in different worlds.
I suddenly felt foolish at having doubted myself and what I wrote. For years I made money and wrote a lot of words in a lot of different stories that touched a lot of different people who still talk about those characters and want them.
So, yes… I… am a writer.
And that’s pretty damn awesome. It took me a long ass time to come back around to that realization. And it’s a strength, not a weakness as I was trying to convince myself it was, as others tried to convince me it was. Maybe for those writers, it is their weakness. But it’s not mine.
I think I’m going to take a page put of Kathleen Kelly’s book in You’ve Got Mail and begin as though we’re in the middle of a conversation… Or, maybe I’ll just talk. Or maybe… Who knows…
I’ve been writing and wondering and second guessing every word, every phrase, every scene. Time is really of the essence and I don’t have it to waste. This is a busy writing year. Or supposed to be.
See, I’m going to end something in a way that will pass off the majority of people who read it. That’s just all there is to it.
It’s like in Stranger Than Fiction. Emma Thompson’s character Karen is at a point in her novel where she doesn’t know how to kill off her main character. She doesn’t believe in writer’s block, but she’s struggling to land on the death of this man.
I was struggling, too. Not on how to kill a character, but on how to end a book.
How do you end something when you never intended it to be what it became? How do you do that without passing people off? The truth is, you can’t. I can’t.
People will hate it. Readers will be disappointed. Upset. And that’s rather daunting for me and perhaps other writers as well. To know that I’ve written a tale that has made someone else FEEL something.
But if those who read it, dislike it… Then I’ve done my job. Then I’ve stayed true to what had evolved across the pages. Do I want that? To have my words disliked, my work reviewed harshly? No. I’d rather people love it. It’s much easier when they love it than when they hate it. At least, that’s what we tell ourselves.
Staying true to the work, to the words, to the characters… That’s my real duty. And once I freed my brain of the knots holding my creativity hostage, the What if’s, the Maybe I should’s, the Oh no, I can’t do that’s… That’s when I landed on what I am supposed to do, what the characters and events are leading me toward.
After all, it’s their story. Not mine. Not yours, the readers. But the story belongs to the characters.
One of my favorite lines in yet another movie, Wonder Boys, a classmate says of another’s writing, “He respects us enough to forget us. And that takes courage.”
I’ve quoted that line before on the blog and it has relevance here again.
I respect everyone who reads my books. I respect their opinions, whether good or bad. But I can’t write the story anyone else wants. I can’t only write the story that belongs to the characters who’ve come to life through me.
(Movie images courtesy of IMDB)
When I get an older book back from a publisher or in the case of Christmas Wishes, out of an anthology, I tend to not release it back into the wild blue yonder of the book world without a few tweaks.
I often go back and add words. Most of the time, double what it was originally, or more. Different writers have different philosophies about revisions on older books, but here’s mine, or at least, here’s one of mine… There’s more to the story than was previously told.
Take, for instance, The Swing. It is a re-release from Ellora’s Cave. It was part of a line of theirs that limited word count to a certain number. No more than 13K or maybe it was 15K. I told the very basics of the story to meet those requirements. I did that a lot. I could write a fairly completely story in 15K words or less. I didn’t write a lot of extraneous words. I didn’t use a lot of backstory. I simply told what needed to be told right then and there.
Other things that were considered when writing for publishers, was price points. The longer the book, the higher the price and a lot of readers balked at paying $5 for a 20,000 word ebook.
With many of my older books, my first books, they were short for those specific reasons. But now that I self publish most of my writing, I can play with price and I can add length, give more story to the readers.
I don’t write long winded epics. I don’t write sagas. I don’t write 300 books in a series. I don’t write 400 page novels.
I write novellas. It’s where I’ve been most comfortable and happiest. I’ve been experimenting with length and series or on-going tales and I’ve enjoyed it and will begin incorporating more of those things in my work. But I primarily write novellas. 40K max for most.
My books don’t change the world, but for a couple of hours in someone’s day, they can change a mood, a moment, provide an escape from reality. Some readers don’t want to spend 3 days reading the same book. I don’t. I like all in one sitting books.
I have added new scenes and extended scenes and changed scenes in The Swing. I have added a bit more emotion. A lot more tears. The sex is still there and is still hot. But I am leaving the time frame of a few years after 9/11. It works for the book. It works for the story. It works for the characters. I’ve freshened things up some. And I think that’s important with books coming back from publishers. As indie authors, we have the freedom to make those decisions now and I like that.
And I’m glad that you, my readers, have enjoyed the books that I’ve re-released, re-worked, and made new again.
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